Forwarded from 📡Guardians of Hong Kong
PEN America Calls for Flagging US Films Piggybacked by Chinese Propagandists
Almost every six months, Americans are reminded once again of how communist China influences their popular culture. In Top Gun: Maverick, for example, the flag of the Republic of China on Tom Cruise’s jacket is made to disappear. But James Tager, author of a recent report on China’s cultural power published by the New York-based literary society PEN America, notes that Americans are apt to put behind China’s impact on the US cinema as irritated as they were at first.
In his report Made in Hollywood, Censored by Beijing, Tager points out that Beijing’s censorship works differently from that in the US, where sensitive material is simply cut out at the start of the editing process after the shooting is completed. With Chinese-style censorship, changes are, frustratingly, often not made clear at the outset and take place in the middle of the shooting. For the most part, though, it does not go as far as it did in MGM’s 2012 film Red Dawn, where digital technology had to be employed to change the Chinese villain into a North Korean in post-production.
But Tager adds that over time, writers and producers will start to engage in self-censorship. Seeing its futility, they will refrain from generating ideas, stories, or characters that break the rules. It is not easy to produce and distribute a film in Hollywood without taking into account the foreign market. Given also the plight the Wuhan virus pandemic has left the US in, the Chinese audience is increasingly important to American studios.
With a quota in place for foreign films distributed in China, competition among them is fierce. The last thing a studio wants is a potential mistake that leads to its production’s being kept out of release in China. It is unthinkable nowadays that a major studio would make a film like the 1997 thriller Red Corner, where a businessman, played by Richard Gere, is framed for murder by the Chinese Communist Party—let alone a film about pro-democracy protesters in Hong Kong or China’s anti-Uyghur concentration camps. No studio would dare to take such a risk in face of the 1.4 billion Chinese consumers. It would be commercial suicide.
And not only does this shift prevents Chinese consumers from getting in touch with innovative ideas, but it also allows for a dictatorship to piggyback its propaganda onto American films. Take as an example the 2012 film Looper. Abe, the future leader of the killers played by Jeff Daniels, says to a younger killer, “I’m from the future; you should go to China.” The average viewer will not realize that this is propaganda, much less that it is a major victory for the Chinese government in its effort to increase its authority and elevate China’s status.
In view of this, Tager suggests putting a permanent label at the beginning of all films funded and, in turn, censored by China. It will serve as a warning that counteracts the brainwashing effect the film has on the audience—the same way the Motion Picture Association’s (MPA) rating, shown before every film, warns the audience of the film’s adult content and smoking scenes.
Source: Apple Daily #Aug29
#US #China #PENAmerica #Film #Culture #Propaganda #Diplomacy
https://bit.ly/3iN5w68
Almost every six months, Americans are reminded once again of how communist China influences their popular culture. In Top Gun: Maverick, for example, the flag of the Republic of China on Tom Cruise’s jacket is made to disappear. But James Tager, author of a recent report on China’s cultural power published by the New York-based literary society PEN America, notes that Americans are apt to put behind China’s impact on the US cinema as irritated as they were at first.
In his report Made in Hollywood, Censored by Beijing, Tager points out that Beijing’s censorship works differently from that in the US, where sensitive material is simply cut out at the start of the editing process after the shooting is completed. With Chinese-style censorship, changes are, frustratingly, often not made clear at the outset and take place in the middle of the shooting. For the most part, though, it does not go as far as it did in MGM’s 2012 film Red Dawn, where digital technology had to be employed to change the Chinese villain into a North Korean in post-production.
But Tager adds that over time, writers and producers will start to engage in self-censorship. Seeing its futility, they will refrain from generating ideas, stories, or characters that break the rules. It is not easy to produce and distribute a film in Hollywood without taking into account the foreign market. Given also the plight the Wuhan virus pandemic has left the US in, the Chinese audience is increasingly important to American studios.
With a quota in place for foreign films distributed in China, competition among them is fierce. The last thing a studio wants is a potential mistake that leads to its production’s being kept out of release in China. It is unthinkable nowadays that a major studio would make a film like the 1997 thriller Red Corner, where a businessman, played by Richard Gere, is framed for murder by the Chinese Communist Party—let alone a film about pro-democracy protesters in Hong Kong or China’s anti-Uyghur concentration camps. No studio would dare to take such a risk in face of the 1.4 billion Chinese consumers. It would be commercial suicide.
And not only does this shift prevents Chinese consumers from getting in touch with innovative ideas, but it also allows for a dictatorship to piggyback its propaganda onto American films. Take as an example the 2012 film Looper. Abe, the future leader of the killers played by Jeff Daniels, says to a younger killer, “I’m from the future; you should go to China.” The average viewer will not realize that this is propaganda, much less that it is a major victory for the Chinese government in its effort to increase its authority and elevate China’s status.
In view of this, Tager suggests putting a permanent label at the beginning of all films funded and, in turn, censored by China. It will serve as a warning that counteracts the brainwashing effect the film has on the audience—the same way the Motion Picture Association’s (MPA) rating, shown before every film, warns the audience of the film’s adult content and smoking scenes.
Source: Apple Daily #Aug29
#US #China #PENAmerica #Film #Culture #Propaganda #Diplomacy
https://bit.ly/3iN5w68
Forwarded from 📡Guardians of Hong Kong
Hong Kong's "Revolution of Our Times" Wins Best Documentary in Taiwan Film Awards;
Director: "This Film Belongs to Every Hongkonger Who Cried for Hong Kong"
"Revolution of Our Times" has won the Best Documentary at the 58th Golden Horse Film Festival and Awards in Taiwan.
Delivering his acceptance speech by video, director #KiwiChow thanked every person who was filmed and interviewed in this documentary.
One of them, Chow said, was a 16-year-old secondary school student. He was one of the Valiants and was trapped in the Polytechnic University along with Chow for several days during the #PolyU Siege. When he returned to class later. his identity was already made known, and he was trembling in fear when he stepped into his own classroom again. To his surprise, his classmates and teacher all hugged him. The whole room was in tears.
"I really wanted to include this scene in the film, but I couldn't. Still, I want Revolution of Our Times to be like this embrace. During the production, I cried many times. I felt like I relied on this film to comfort myself, to let out my anger and hate, to face my fears and trauma."
In closing, Chow remarked, "To those who remain in Hong Kong, including myself, those who are exiled overseas, and those in prison: My friends, although you may not have a chance to watch the film, I pray to my Heavenly Father that the mere existence of this film could be a comfort and an embrace. Thank you."
Source: Stand News #Nov27
https://thestandnews.page.link/EZfNdGW8CgCLuVVw6
#RevolutionOfOurTimes #GoldenHorse #FIlm #Award
Director: "This Film Belongs to Every Hongkonger Who Cried for Hong Kong"
"Revolution of Our Times" has won the Best Documentary at the 58th Golden Horse Film Festival and Awards in Taiwan.
Delivering his acceptance speech by video, director #KiwiChow thanked every person who was filmed and interviewed in this documentary.
One of them, Chow said, was a 16-year-old secondary school student. He was one of the Valiants and was trapped in the Polytechnic University along with Chow for several days during the #PolyU Siege. When he returned to class later. his identity was already made known, and he was trembling in fear when he stepped into his own classroom again. To his surprise, his classmates and teacher all hugged him. The whole room was in tears.
"I really wanted to include this scene in the film, but I couldn't. Still, I want Revolution of Our Times to be like this embrace. During the production, I cried many times. I felt like I relied on this film to comfort myself, to let out my anger and hate, to face my fears and trauma."
In closing, Chow remarked, "To those who remain in Hong Kong, including myself, those who are exiled overseas, and those in prison: My friends, although you may not have a chance to watch the film, I pray to my Heavenly Father that the mere existence of this film could be a comfort and an embrace. Thank you."
Source: Stand News #Nov27
https://thestandnews.page.link/EZfNdGW8CgCLuVVw6
#RevolutionOfOurTimes #GoldenHorse #FIlm #Award
Forwarded from 📡Guardians of Hong Kong
China rumoured banning Hollywood films to counter the US diplomatic boycott of the Beijing Winter Olympics. Spider-Man and Matrix may not be released in China.
The United States announced on 6 Dec that they would not send government officials to the Beijing Winter Olympics as part of a diplomatic boycott. China's Foreign Ministry responded that if the US persists in its policy, "China will take firm countermeasures".
Rumours on Weibo on 9 Dec saying China will suspend the release of Hollywood films as the first wave of counter-measures in response to the US boycott of the Beijing Winter Olympics. Perhaps, the first to be hit is the highly anticipated "Spider-Man: No Way Home".
A Weibo user commented on 8 Dec, "The news just came in that all US films have been suspended (except those already scheduled)". He said that Spider-Man was originally scheduled to release at 10:00 yesterday, but in response to the US boycott of the Winter Olympics, "the notice to suspend US films came down at 9:57...", meaning that Spider-Man will be banned completely.
Rumours are circulating online that the China State Administration of Radio, Film and Television has suspended the release of US blockbusters in China. The blockbusters include Spider-Man: No Way Home and The Matrix Resurrections, which will be released in Hong Kong on Christmas Day. Media outlets across the country have also been ordered not to publicise any US films.
Source: The Stand News #Dec09
#China #US #BeijingWinterOlympics #Olympics #DiplomaticBoycott #Hollywood #Film
The United States announced on 6 Dec that they would not send government officials to the Beijing Winter Olympics as part of a diplomatic boycott. China's Foreign Ministry responded that if the US persists in its policy, "China will take firm countermeasures".
Rumours on Weibo on 9 Dec saying China will suspend the release of Hollywood films as the first wave of counter-measures in response to the US boycott of the Beijing Winter Olympics. Perhaps, the first to be hit is the highly anticipated "Spider-Man: No Way Home".
A Weibo user commented on 8 Dec, "The news just came in that all US films have been suspended (except those already scheduled)". He said that Spider-Man was originally scheduled to release at 10:00 yesterday, but in response to the US boycott of the Winter Olympics, "the notice to suspend US films came down at 9:57...", meaning that Spider-Man will be banned completely.
Rumours are circulating online that the China State Administration of Radio, Film and Television has suspended the release of US blockbusters in China. The blockbusters include Spider-Man: No Way Home and The Matrix Resurrections, which will be released in Hong Kong on Christmas Day. Media outlets across the country have also been ordered not to publicise any US films.
Source: The Stand News #Dec09
#China #US #BeijingWinterOlympics #Olympics #DiplomaticBoycott #Hollywood #Film